Foliage splendor in the Muttontown Preserve at high noon caused harshness of shadows to emphasize the staccato stippling of patterns of color upon color. It could have been a painting in the style of pointillism…but no…it was a traditionally wet-darkroom processed chrome, taken with an under exposed ISO to saturate the color. See New York Times article, Unfamiliar Perspectives on familiar Images, New York Times, April 29, 2007.
